Computational Complexity (計算複雑性)
Computational Complexity (計算複雑性)
Computational Complexity (2024)
KAZUKI OTSUKA (1985-)
Silkscreen on paper with acrylic
This piece analyzes J.S. Bach's flute Partita in A Minor, BWV 1013, through Schenkerian theory, demonstrating the high information density and recursive structure composed from a single melody. This analysis embodies the concept of Transformism, which seeks to extend aesthetics, founded by Baumgarden in the 18th century and regarded as a science of the senses, through logic.
Description
Title: Computational Complexity
Size: 91cm x 66cm (Framed)
Method: Silkscreen, Acrylic, Kent Paper
Limited Editions: 100
Year: 2024
Signature: signed and numbered
Author Biography
He consistently explores the formal logical extension of aesthetics, and he founded Transformism. He holds a master’s degree in Applied Computer Science from the University of Tokyo, where he completed a thesis entitled 'Computational Language β based on Orthomodular Lattices and the Non-distributivity of Quantum Logic.' He holds multiple software patents in natural language processing and acoustics. He is a member of Mensa, the international high-IQ society for those in the top 2% of the population.
計算複雑性 (2024)
大塚一輝 (1985年-)
シルクスクリーン、アクリル、紙
J.S.バッハのフルート曲BWV1013 Partita Aマイナーのシェンカー理論に基づくアナリーゼであり、一本の旋律から構成される情報密度の高さと再帰性が示される。この分析は18世紀のバウムガルデンに創始され感性の学とされた美学を論理学で拡張しようとするTransformismのコンセプトを体現している。
作品詳細
タイトル: Computational Complexity (計算複雑性)
サイズ: 91cm x 66cm (額縁込み)
製法: シルクスクリーン、アクリル、バロンケント紙
限定部数: 100
制作年: 2024
サイン: 直筆サイン+番号
作者略歴
美学の形式論理による拡張をテーマとし、Transformismを創始。'量子論理の非分配性に基づく直交モジュラー束上の計算言語β'で東京大学大学院学際情報学府より修士号取得。自然言語処理や音響処理に関する複数件のソフトウェア特許を保持。人口の上位2%の知能指数をもつ国際団体Mensa会員。
©︎ Kazuki Otsuka , Transformism
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About Transformism
Transformism mobilizes the entirety of knowledge up to the present, particularly in sciences, and extends the aesthetics founded by Baumgarten in the 18th century through formal logic, to forge new criteria for beauty.
The constructs and institutions of intellectual activity related to the cultural realm called ⟨art⟩ and ⟨literature⟩ were born around the time of Hegel. The series of conditions that define the essence of art and literature are still functioning as ⟨art⟩ today, although these conditions have been transformed by the financial and capital economy.
I will call this ⟨mainstream⟩.
On the other hand, developmental ⟨knowledge⟩ is a methodology that enables discussion through criticism and verification, which has been discussed in the past by Aristotle and in modern times as the philosophy of science by Karl Popper.
Art, which expresses the edge of human knowledge, has objectivity, and because it is objective, it has universality, and it has a time axis toward the point of convergence of knowledge, because it is universal.
I would like to define art which is a facet of our evolving “knowledge" as ⟨mainstream⟩ or ⟨true art⟩. Since it is knowledge, true art, like science, requires "refutability". And the ⟨mainstream⟩ would be created by scientists (not by conventional artists).
I now present "Transformism" as an art movement that constructs a new definition of essence by means of falsifiable criteria in the scientific sense - intelligence, in other words, the depth of evolution - through criticism and improvement without falling into tautology or infinite regress.
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KAZUKI OTSUKA (1985-)
He consistently explores the formal logical extension of aesthetics, and he founded Transformism. He holds a master’s degree in Applied Computer Science from the University of Tokyo, where he completed a thesis entitled 'Computational Language β based on Orthomodular Lattices and the Non-distributivity of Quantum Logic.' He holds multiple software patents in natural language processing and acoustics. He is a member of Mensa, the international high-IQ society for those in the top 2% of the population.
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